jeremy porter

The Ledge #597: More Replacements Tributes

Two weeks ago, I put together a show centered around seven different tribute records celebrating The Replacements. A couple of days after that episode was released I was contacted by a fan who noted that I had missed a couple of these sorts of records. After a bit of scrambing, I discovered that indeed I forgot all about some great fan-based compilatons. Yes, that’s the beauty of tonight’s selections. These three records were unofficial collections of musicians that had come together via online fan boards. The first such set, Cover Me Impressed – Alt.Music.Replacements Tribute, is pretty self-explanatory collection of tunes compiled by a popular usenet group in 2002. The other two tributes, Bring Your Own Lampshade (2005) and Dead Man Fake: Bring Your Own Lampshade 2 (2009), came together through contributors on the wonderful Man Without Ties message board, and include both solo and band tracks written by Paul Westerberg. Highlighting both of those compilatons are tracks by our old friend Jeremy Porter.  Besides a handful of recently acquired tunes, the rest of tonight’s show features tracks from two fabulous new Cherry Red Records box sets, Looking For The Magic: American Power Pop In The Seventies and Into Tomorrow: The Spirit Of Mod 1983-2000. Cherry Red always […]

The Ledge #588: New Releases (Pt. 1)

The Ledge #588: New Releases (Pt. 1)

Once again, the music gods have put out so much great music these last few weeks that this month’s new release show has to be split into two episodes! This week includes glorious returns from Lydia Loveless, The Exbats, Martin Zellar, Jim Jones All Stars, and many more. But we also have a wonderful, heartfelt tribute to the late Justine Covault. “Sister In Crime” by Jay Allen and The Archcriminals takes a look back at a fabulous artist and label owner who tragically passed away earlier this summer. “This song is dedicated to the memory and written for one of my dearest and closest friends of the last 40 years, Justine Covault”, Allen said in a statement. “She was an amazing woman, who meant a lot to so many people and we lost her way too soon. For me she was more than a friend, she was my most ardent supporter, not just in music, but in life, bandmate, roommate, and for the last 7 plus years my co-host along with Tom Baker in our monthly residency, The Mess-Around. Her impact on our little Rock ‘n’ Roll village here in Boston is immeasurable. Not just as an artist with her […]

The Ledge #570: Holiday Playlist

“Shambolic” maybe an overused word when it comes to my favorite band, The Replacements, but it’s an apt term for tonight’s show. Or at least the first ten minutes. Yes, it’s a mini-disaster. After airing this week’s selection for the “52 Weeks of Teenage Kicks” series by The Vibrators, I talked about the fact that you can now purchase the version I world premiered last week by Jeremy Porter at his bandcamp. (http://jeremyporter.bandcamp.com).  In fact, please go purchase it now, as all proceeds go to the Hater Kitty Army. But after introducing a re-airing the tune, my broadcast program decided to completely rearrange my playlist and a completely different tune aired for a few seconds. I quickly fixed the issue, though, and everything was fine after that. Tonight’s show is a collecton of tunes that I’ve been listening to in my spare time. There’s a set devoted to my favorite rock and roll couple, Amy Rigby and Wreckless Eric, inspired by “Do You Remember This”, a clever little tale of their relationship that may or may not be true. There’s a set that sort of centers around Johnny Thunders, beginning with a couple of Kinks songs before heading into a […]

The Ledge #569: Jeremy Porter’s Teenage Kicks

The Ledge #569: Jeremy Porter’s Teenage Kicks

When I conceived the “52 Weeks of Teenage Kicks” project late last year one of the first things I did was to contact artists that I considered friends of the show. I’ve been blessed over the years to have some wonderful musicians regularly send me their latest projects. One of those friends was Jeremy Porter, leader of Jeremy Porter & The Tucos. For almost the entire time I’ve been producing The Ledge, Porter has provided me with fabulous music, and has also introduced my show to many of his fellow musician friends.  It was honestly no surprise when Porter responded that he was indeed interested in contributing a version of “Teenage Kicks”, but I was blown away by his overall plans with the tune. Tonight’s episode is the world premiere of his cover, which will be officially released next Friday (5/26) on his bandcamp page. While the track will be a “name your price”, proceeds from those who do the right thing and pay for the track will go to the Detroit-based charity, Hater Kitty Army, led by Sue Summers. “Hater Kitty Rescue Army is a neighborhood cat haven on Detroit’s Eastside,” Summers explains. “We have been serving abandoned cats for the past […]

The Ledge #521: Reissues & Live Albums

The Ledge #521: Reissues & Live Albums

I understand that many, if not most, people look at the deluge of box sets, reissues, and live albums as just more excuses how the record industry will suck any pennies they can get out of an artist. It’s a valid view. However, I live for this stuff. Sure, my main inspiration is new music, but if I love an artist I want everything. I want the live recordings. I want the demos and outtakes. I want that rare b-side.  Tonight’s show is sort of a new release episode, but it’s new “old” material. It’s the tunes from expanded editions of classic records by the likes of The Clash, The Muffs, Pavement, and The Lemonheads. It’s live tunes discovered in the vaults from The Rolling Stones,  T. Rex, and Georgia Satellites. There’s also great, previously unreleased material from our friends Jeremy Porter & The Tucos, and the great Rum Bar Records compilation of Cindy Lawson’s old band, The Clams. There is even a multi-disc set for a great 60s band, Betterdays, that initially only put out one single! I would love it if every listener bought at least one record I played on either of these shows. These great artists […]

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