The Ledge #600: Hudson’s Best of 2023
Choosing my favorite records of the year is always a double-edged sword. On the one hand, it’s great fun for a music nerd like me to revisit the hundreds of releases I’ve checked out the last twelve months. But it’s also frustrating trying to thin down those picks into a list that truly represents the past year. Many records that initially seemed a lock are suddenly eclipsed by new records that I simply can’t ignore. Other albums that I had prematurely set aside have revealed themselves to be chock full of fabulous tunes that I can’t imagine living without. Overall, this is another great year for music. I’ll never understand the mindset of people, especially those around my age, that complain how there’s no great bands or records these days. Sure, the pop charts are primarily filled with garbage, and one does have to spend more time than ever finding new artists. But the search has always been a great part of the fun of being a collector, and my main reason I’ve now put together 600 episodes of this show is to share my findings with others. I’m always thrilled when I hear that someone has bought a record […]
The Ledge #600: Hudson’s Best of 2023
Choosing my favorite records of the year is always a double-edged sword. On the one hand, it’s great fun for a music nerd like me to revisit the hundreds of releases I’ve checked out the last twelve months. But it’s also frustrating trying to thin down those picks into a list that truly represents the past year. Many records that initially seemed a lock are suddenly eclipsed by new records that I simply can’t ignore. Other albums that I had prematurely set aside have revealed themselves to be chock full of fabulous tunes that I can’t imagine living without. Overall, this is another great year for music. I’ll never understand the mindset of people, especially those around my age, that complain how there’s no great bands or records these days. Sure, the pop charts are primarily filled with garbage, and one does have to spend more time than ever finding new artists. But the search has always been a great part of the fun of being a collector, and my main reason I’ve now put together 600 episodes of this show is to share my findings with others. I’m always thrilled when I hear that someone has bought a record […]
The Ledge #562: First Quarter Report
As this is the last show of the first quarter of 2023, and even airing on the last day of the month, it’s only natural that we take a look back at some of the stunning new records released so far thsi year. It has been quite a year, especialy if you are a fan of guitar-driven music. Power pop, in particular, has made a great comeback this year, highlighted by the likes of The Whiffs, Local Drags, and Ryan Allen And His Extra Arms. But it’s also a great year for returning legends. Yo La Tengo, The Long Ryders, The Church, and Iggy Pop released their best albums in years. Billy Childish reunited the legendary Thee Headcoats for their first album in 22 years, and it’s a smoker! For this show, obviously, the main highlight comes from the “52 Weeks of Teenage Kicks” subtheme, and we received thrilling news earlier this week. The very first person I contacted when I came up with this idea was Malibu Lou from Rum Bar Records. Obviously, I was hoping that he could convince some of his bands to participate (and I still hope they do). What I wasn’t expecting was for Lou […]
The Ledge #561: More Home Plays
Just like last week, this episode is primarily based around what I’ve been listening to in the Ledge home base over the last few days. Some of it is brand new material. Much of it has been old faves that span almost 60 years of great rock and roll. Overall, though, this show is primarily a showcase for old and new power pop. In the new category, there are fabulous new tracks by The Whiffs, Sharp Pins, Uni Boys, and The Trouble Seekers, along with “excavated” recordings by The Bings and Popsicko. As for old faves, it’s a history lesson of sorts. There’s The Monkees and The Kinks from the 60s. The Jam, The Flamin’ Groovies, Nick Lowe, Graham Parker, and The Rubinoos from the 70s. The 80s are represented by the likes of The Barracudas, Dwight Twilley, The Bongos, and Camper Van Beethoven. Maybe the 90s aren’t as highly represented, but there is “Tayter Country” by The Cavedogs, quite possibly my favorite song of 1980. As for the “52 Weeks of Teenage Kicks”, this week’s version comes from The Mahones, the legendary Canadian/Irish punk band that always features a quality cover or two on each of their albums. Their […]
